An observation of the same Welcome Swallows mentioned in the
sub-surface feeding blog was that, while feeding on prey taken from below the
water surface, the birds were often seen to adopt a pose that appeared to be
used to lure prey to the surface. It cannot be proved that the swallows were
attempting to lure prey but it would be worth further study if similar feeding
events are witnessed.
The swallows moved from a near horizontal hovering position
to a near vertical hovering position and peered at the water. In this raised
position they would then lower to touch the tip of the attenuated outer tail
feathers to the water, creating a ripple, then raise up and repeat the tail
touch action, or alternatively return to a horizontal position whilst still
watching the water surface intently. On some occasions the bird would drop and
attack near where the tail had been touching, and other times the bird would
rise and turn back without attacking.
The birds repeatedly carried out this action and it was not
a single or casual occurrence, it was an oft repeated, apparently strategic,
action.
Attenuated tail feathers can be seen touching the water, leaving ripples. This bird touched the water multiple times; others touched only once. |
Another interpretation of this action could be that the bird
was using its body to shade the water and so be better able to see below the
surface to the prey. On this occasion this is not likely as the sun was often
obscured by cloud and, with the sun in the east and the birds facing west, into
the wind, the near horizontal position of the bird while hunting would have
cast as much, if not more, shadow on the water in the area of the bird’s eyes
than would a near vertical position, as can be seen in the photo.
Further observation is clearly needed on this matter but for
whichever reason, attempting to block the sun or luring prey, the behaviour was
intentional and repeated on numerous occasions by multiple members of the
flock. Again, any feedback of similar sightings would be appreciated.
All text and photos © Jenny Spry
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